More ladies in the studio

BC and I went back to the studio last Saturday. She knocked out all of the keyboard parts and I'm pretty sure, I knocked out all of the guitar.

We got there around eight and BC set up in the control room. She'd never played keys on anything with me, just bass. So there was a fair amount of figuring things out in the early stages, but she quickly got past that and moved on to whipping some keyboard ass!!!

It was my turn so I set up the vibroluxe and got my rig ready. We started with doubling my earlier rhythm parts and then nailing each of the solos before we moved on to the next tune. Usually I would do all the rhythm then all the leads, but I guess I was kinda feeling it when I was playing the rhythm parts so we just went ahead and finished all the guitars on each song before moving on to the next one. 

I did a bunch of the guitar parts on the Tele (it's what I play most of the time with The Ladies) but I did a couple of them with my hollowbody Guild. Kurtis had a mic on the amp and a mic on the room so I stood by the room mic with the Guild, getting the sound out of the amp and right off the wood. It sounds extra thick and glorious.

I did a solo that was four bars of call and response on "First Time, Next Time". The odd numbered solos were slide on the hollowbody and the even ones were straight on the Tele. I nailed that fucker in one take for each part! That really feels good, like I know what I'm doing.

When I took a pass on the solo in "Wonderful" Kurtis really like what I did and he asked me to double it. I told him I had no idea what I'd just played, but I'd be willing to give it another shot. I did and failed miserably. I had no recollection of what I'd played just a minute before! We laughed for a couple then moved on...

This is why you work with someone like Kurtis, his only agenda is to get your music on tape. He doesn't have a specific way it "needs" to get done (although he is great with suggestions). If you say "I have and idea" he says "let's try it." That is the most important thing in a recording engineer. 

I'm headed back this Saturday to do the vocals. At that point we should have a nice little EP.

Year End Wrap-up!

Shit, I've been busy! Hickoids played a ton and the Ladies and I really started to get things rolling (I really love this band!) We even had three Bigfoot Chester gigs! That's more than we had in the previous five years!

The Hickoids have two shows left this year, both with the Old '97's (Antone's in Austin on the 27th and House Of Blues in Dallas on NYE), and that will wrap things up, about 20 minutes before midnight, for this year.

On the Horizon for 2014, The Ladies and I are headed to the studio in late January (after Wiley has some surgery!). I'm not really sure what I'm gonna do with the recording, no plans yet for ANOTHER record, I just really want to get us on tape so I can hear it for myself!

Hickoids are headed for Europe again! June(ish) we will be hitting the continent (and possibly the UK). Right now everything is TBA, so stay tuned for details.

And as I mentioned here, South Filthy is booked for a festival in Mississippi for October. I am really excited about playing with Jack and Jeffry (and Walter) again. Hopefully we will knock out another record. We are making the drive after all...

That's it for now!

9/23/12

Bigfoot Chester at Million Dollar Sound.

I don't know who came up with the idea, but when I was asked about it I said "Hell YEA!" immediately. This was Bigfoot Chester with Ted Roddy singing and playing Harp. We did two of the Howlin Wolf tunes we've played before at the Wolf birthday party (we did those songs with Ted then) and we hit one that was a harmonica "duel". Two harps and a twelve bar in E, GO!

The first song Walter didn't even play on it. He just let Ted do his thing (so cool). I almost screwed up one of the endings in a big way when Ted was blowing some bad assed harp. I'll admit I'm easily excitable, but that solo on the way out of "You'll Be Mine" was pretty amazing. Walter came in to the tracking room to blow some sax on the second number and, of course, harmonica on the duel at the end. I can't wait to hear it.

This is the fourth or fifth location of Million Dollar Sound I've recorded in. As usual Kurtis has his shit together and his gear dialed in. Things were sounding really good and he is SO easy to work with. He got everything set up and three songs (five takes) with minimal overdubs done in under three hours. Thanks Kurtis!

A very nice way to spend a Sunday afternoon.